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| Professor CONTACT Office: Arts Building 2028 Office Hours: Monday & Wednesday: 9-11; or by appointment EDUCATION Selected Work
COURSES TAUGHT
Freshman Seminar and Orientation TRAVEL COURSES |
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SELECTED PUBLICATIONS
Instructor’s Manual and Student Study Guide, Art Forms 9th edition (co-author) Duane and Sarah Preble, Prentice Hall, 2007-2008. “Silicone Valley at P.S. 1,” New York Arts Magazine, July/August, 2007 vol. 12, # 7-8, p. 25. Instructor’s Manual, A World of Art 5th edition, Henry Sayre, Prentice Hall, 2006. Instructor’s Manual and Student Study Guide, Art Forms 8th edition (co-author) Duane and Sarah Preble, Prentice Hall, 2005. “When it Reigns it Pours: Selling Art in Advertisements,” Semiotics and Visual Culture: Sights, Signs, and Significance. Deborah L. Smith-Shank, ed., Illinois: NAEA Press, 2004. “A Bloomsbury Group,” review for National Women’s Studies Association Journal Special Issue: Gender and Modernism Between the Wars, 1918-1939, Vol. 15, No. 3, Indiana University Press, Fall 2003, pp. 222-225. Instructor’s Manual, Test Bank, and Student Study Guide, A World of Art 4th edition (co-author), Henry Sayre, Prentice Hall, 2002. Instructor’s Manual and Student Study Guide, (co-author), Art Forms 7th edition, Duane and Sarah Preble, Prentice Hall, 2001. “The Worlds of Nam June Paik,” Guggenheim Museum Exhibition Review, Southeast College Art Conference Review, Vol. 10, No. 2, 2000. “Art to Die For: Who Pays the Price?” The Bloomington Voice, Vol. 2 No. 5, February 3-10, 1993. p. 13. “Homeless Shooting Back: Self Esteem Through Art,” The Bloomington Voice, Vol. 1, No. 44, November 11-18, 1992. p. 13. “From the Heart: Postmodern Folk,” The Bloomington Voice, Vol. 1, No. 48, December 9-16, 1992. p. 12. “Themes of Masculinity and the Sculpture of H. C. Westermann,” The Sex of Art: Men, Women and Ideologies of Gender, Exhibition Catalogue, Indiana University Art Museum 1991. “Diego Rivera’s Danzante,” Incorporation or Annihilation: Repercussions of Cross-Cultural Encounters on the Arts, Exhibition Catalogue, Indiana University Art Museum, 1990. Drawings from the Collection of Herbert and Dorothy Vogel, Exhibition Catalogue, University of Arkansas at Little Rock, 1986. SELECTED PUBLIC LECTURES AND PRESENTATIONS
The Eight and the New York Armory Show: How the Apostles of Ugly Crusaded for Modernism in Early 20th Century American Art, Jepson Center for the Arts, Savannah, October 13, 2008. We’ll Always Have Paris: The City of Light and Modern Art, The 10th Annual National French Week, Georgia Southern University, November 2008. Flashback to the 1980s: Where are the 80s Art Stars and Why We Should Care, Southeastern College Art Conference (SECAC), Little Rock, Arkansas, 2005. The Earth Art Movement and Its Legacy, Georgia Southern University Botanical Gardens, a 3-Part Public Lecture Series 2004. When it Reigns it Pours: Selling Art in Advertisements, Popular Culture Association Conference, Jacksonville, Florida, 2003. Trends and Issues in Contemporary Art, Telfair Academy of Art, Savannah Georgia, 1998. Russian Performance, Photography and the Gerlovins, Telfair Academy of Art, Savannah, Georgia, 1997. Aesthetic Priorities: The Performance Art of Laurie Anderson, Southeastern College Art Conference (SECAC), Charleston, North Carolina, 1996. Marketing to Boomers and their Babies: Art and Advertising. Popular Culture Association Conference, Savannah Georgia, 1996. Musing On Mona. Georgia Art Education Association (GAEA), Macon, Georgia, 1996. Pop and Postmodernism, Telfair Academy of Art, Savannah, Georgia, 1994.
SELECTED EXHIBITIONS
The Frog Story, Invitational Solo Exhibition, Averitt Art Center, Legends Gallery, Statesboro, Georgia, January 2009. 10th International Collage Exhibition and Exchange, Invitational Group Exhibition. New Plymouth, New Zealand. Exhibition on the Virtual TART site (http://virtual.tart.co.nz) and The Real TART Gallery in New Plymouth, New Zealand April 2008 and on permanent exhibit at outofsight.co.nz Ice 8, 8th International Collage Exchange Fundraiser, Invitational Group Exhibition, Turchin Center for the Visual Arts, Appalachian State University, Boone, North Carolina, November 2006-February 2007. The Frog Story, Invitational Solo Exhibition, Slemp Gallery, Mountain Empire College, Big Stone Gap, Virginia, January, 2007. Lucky 13, Juried Exhibition, Mesquite Fine Arts Center, Mesquite, Nevada, 2006. Tornado Season, Solo Exhibition, Averitt Art Center, Statesboro, Georgia, 2006. International Collage Exhibition, Group Exhibition, The Duncan-McAshan Visual Arts Center, Hill County Arts Foundation, Ingram, Texas, 2006 8th International Collage Exhibition and Exchange, New Plymouth, New Zealand. Exhibition on the Virtual TART site (http://virtual.tart.co.nz) and The Real TART Gallery in New Plymouth, New Zealand April 2006 and on permanent exhibit at outofsight.co.nz. The ArtCard, Sharjah Art Museum, United Arab Emirates, December 2005. Skulls, Performance for World AIDS Day, Betty Foy Sanders Department of Art, Statesboro, GA, 2005. Slang Postcard Art, Fluxusart Exhibition, Rockville, Maryland, 2004 Culture and Agriculture 2004, Juried Group Exhibition, New Visions Gallery, Marshfield, Wisconsin. 2004. Art Show at the Dog Show, Juried Group Exhibition, Kansas City, Kansas, 2003. New York International Painting Competition, Juried Group Exhibition, Greeley Square Gallery, New York City, 2003. Arts on the River, Juried Group Exhibition, Ex Libris Gallery, Savannah, Georgia, 1998. Inner Visions, Juried Group Exhibition, Woman Made Gallery, Chicago, Illinois, 1997. Le Boite (performance), Main Street Studios, Little Rock, Arkansas, 1987.
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